The highly anticipated unveiling of Barack and Michelle Obama's presidential portraits happened Monday at The Smithsonian’s National Portrait Gallery — and the portraits caused quite the conversation.

The Obamas, who each saw the portraits for the first time, delivered remarks praising the painters for their work. Renowned artist Kehinde Wiley created the portrait of Barack, while Baltimore artist Amy Sherald produced the one on Michelle. 

While Barack's portrait by Wiley seemed to receive universal praise, that wasn't so much the case for Michelle's portrayal by Sherald as some among Black Twitter shared their dislike online — saying they didn't believe the painting was an accurate depiction.

Many among the critics couldn't understand why Sherald chose to paint Michelle's skin gray as opposed to opting for a more realistic portrayal showing her glowing brown skin. However, Sherald has a reason for that — as almost all of her work features life-size people of color depicted with gray skin.

In a recent interview with the The Baltimore Sun, Sherald said the gray skin is “A way for me to subversively comment about race without feeling as though I’m excluding the viewer.”  

After unveiling her portrait on Monday, Sherald delivered a few remarks about the painting and her work as a whole: 

"I find my models, I style them and photograph them," she said. My approach to portrait is conceptual. I see something bigger, more symbolic — an archetype, this portrait delivers the same kind of symbolism." 

"As a painter of American stories, I truly consider today to be a milestone in my life’s work," she added. 

While Sherald is known for painting African Americans with grayscale, some even pointed out that Sherald doesn't strictly stick to mainly gray hues.

The criticisms even erupted in a debate around art critique and what gets to be said as well as who gets to say it, especially given the loaded nature behind the artist's subjects.