This year’s opening night film on July 17 see the world premiere of "Hard To Get," the electrifying feature debut from South African filmmaker Zee Ntuli, who has already received critical acclaim for his short films. The story of the mercurial relationship between a handsome young womanizer and a beautiful, reckless petty criminal, "Hard To Get" is fueled by a bewitching visual poetry. Other high-profile South African films being showcased include the engaging thriller "Cold Harbour," "Between Friends," which recounts a reunion between old varsity friends, "Hear Me Move," a locally flavored dance movie, and "Love the One You Love," which explores a constellation of relationships between young South Africans.
The rich program of films from elsewhere on the continent includes a number of artistically and politically brave directorial voices that are unafraid to experiment with form or content. The bewitching and highly experimental "Bloody Beans" recounts the Algerian revolution using a band of young children as its medium of expression, while the utterly charming and super-low-budget "Beti and Amare" is an Ethiopian vampire film with a difference.
DIFF 2014 also acknowledges the political reality of contemporary Africa with films such as "Timbuktu" from Malian master Abderrahmane Sissako, whichs recounts Timbuktu’s brief occupation by militant Islamic rebels. The mockumentary hybrid "They Are the Dogs" is set in Morocco in the aftermath of the Arab Spring while the engagingly authentic, semi-autographical film "Die Welt" is set in Tunisia shortly after the recent Jasmine Revolution. "Imbabazi: The Pardon" explores the possibilities of reconciliation in the wake of the Rwandan genocide, and "Difret" examines the potentially destructive role of patriarchal traditions in contemporary Ethiopia.
"Coz Ov Moni 2: FOKN Revenge," billed as "the world’s second first pidgin musical" is a Ghanaian hop-hop opera from rap duo the FOKN Bois, while "B for Boy" tells the story of how a Nigerian woman’s life is corrupted by the forces of patriarchy and tradition.
The 35th Durban International Film Festival is organised by the Centre for Creative Arts at the University of KwaZulu-Natal (a special project of the Deputy Vice Chancellor of Humanities, Cheryl Potgieter) with support from the National Film and Video Foundation, KwaZulu-Natal Department of Economic Development & Tourism, KwaZulu-Natal Film Commission, City of Durban, German Embassy, Goethe Institut, Industrial Development Corporation, KwaZulu-Natal Department of Arts and Culture and a range of other valued partners.