As his James Baldwin documentary “I Am Not Your Negro” wins over audiences and critics around the world (it’s topped $6.6 million in US box office and continues to expand nationwide), picking up multiple award nominations (including an Oscar nomination for Best Documentary Feature) and winning some of them, you should be aware that Haitian filmmaker Raoul Peck directed a second feature film (while he was working on “I Am Not Your Negro) that making its World Premiere at the the Berlin International Film Festival last month, and has now been acquired for USA distribution by The Orchard.
Screening in the Berlinale Special sidebar of the festival, and titled “Le Jeune Karl Marx” (“The Young Karl Marx”), the scripted period drama fictionalizes the shaky friendship between Karl Marx and Friedrich Engels – the German intellectual titans and fathers of Marxism – charting their completion of the Communist Manifesto, and the creation of a revolutionary movement out of which were born the theoretical tools for emancipating oppressed masses in Europe and all around the world.
In what the filmmaker has previously described as quite an ambitious project, the film stars German actors, August Diehl as Marx, and Stefan Konarske as Engels.
“Avoiding the habitual caricature of the old bearded revolutionary icon, this film is the coming of age of two young and daring intellectuals who will have an extraordinary impact on the world of the 20th century and beyond,” said Peck.
Having seen just about all of Peck’s films, I’m most certainly looking forward to this one, as I have most of the others. He’s certainly been more prolific in recent years, directing 4 feature films (2 documentaries and 2 works of fiction) in as many years. In addition to “I Am Not Your Negro” and “The Young Karl Marx,” Peck directed “Murder in Pacot” (2015, a feature film loosely inspired by Italian director Pier Paolo Pasolini’s 1968 drama/mystery “Teorema”) and “Assistance Mortelle” (“Fatal Assistance,” 2014, a 2-year documentary investigation into the challenging, contradictory and colossal rebuilding efforts in post-earthquake Haiti); both films were covered on this blog as well.
“The Young Karl Marx” cast also includes Vicky Krieps, Olivier Gourmet, Hannah Steele and Alexander Scheer.
Produced by Agat Films and Peck’s own Velvet Film banner, as well as Rohfilm in Germany and Artemis Productions in Belgium, Peck directed the international co-production from a script he co-wrote with Pascal Bonitzer.
The Orchard is aiming for a theatrical release in the fall, which, depending on how it’s received, could put director Peck right back into awards season contention.
A fearless filmmaker and activist who, I would argue, deserves even more recognition than he’s received over the years within the international filmmaking community, as one of Haiti’s few filmmakers of any notoriety, and a primary exporter of Haitian films to the rest of the world, Peck’s complex body of work has been covered plentiful here on S&A since the blog was launched in 2009, much of that work still sadly underseen – including “Lumumba” (2000), “Moloch Tropical” (2010) and more. His directing resume begins in the mid-late 1980s, around the same time that filmmakers like Spike Lee, Jim Jarmusch and Wong Kar-wai were also beginning their directing careers. With the near-universal awareness and acclaim (and Oscar nomination) for “I Am Not Your Negro,” I suspect we’ll be hearing Raoul Peck’s name mentioned a lot more from here on.
A trailer for “The Young Karl Marx” follows below; unfortunately it’s without English subtitles, although expect one from The Orchard leading into the film’s release in the fall.