Expect a much more thorough write-up towards the end of the year, or early next year. Consider this a snapshot of how black cinema did in 2013, with 2 weeks left until the year ends, and the last black film of the year, now in theaters as of this past weekend – Tyler Perry’s Madea Christmas.
I’ll also compare this year’s stats with previous years, in consideration of all the media proclamations that 2013 ushered in something of a new beginning (“new wave”) for black cinema, suggesting that, in the future, we might be looking back at 2013 as the year when black cinema finally got its wings.
I’m defining “black film” simply as cinema in which the central character (or characters) that the stories revolve around, are of African descent – regardless of whether the filmmakers are all of African descent. If it’s a documentary, the same definition applies. People of African descent have to be central to whatever unfolds.
So, for example, a film like 2 Guns didn’t make the cut. And neither did Captain Phillips. Both featured black characters in significant roles, but, ultimately, both films weren’t centered entirely around those characters. There are other similar examples.
The list of films I narrowed the entire year down to are at the bottom of this post.
So how did black cinema do in 2013? Here’s a snapshot, with data as of last week Friday, December 13.
– 48 out of 641 films released this year (or about 7%) were black films.
– 22 of those 48 films were directed by filmmakers of African descent; 7 of the 22 are women filmmakers; 8 of the 22 were first-time feature film directors.
– 33 of the 48 films were fiction; 8 of those 30 were based on real life people/events; The vast majority were dramas (of the 48, there was 1 sci-fi movie, 1 horror, 1 comedy horror, and 1 musical), suggesting, as we’ve noted several times in the past, that when it comes to black cinema, the more fantastical genres (sci-fi, horror, thriller, fantasy, etc) remain woefully untapped with regards to feature films.
– Tyler Perry directed 2 of the 48, and produced a 3rd.
– 30 of the 48 saw their widest releases at less than 100 theaters; 13 saw their widest releases at over 1000 theaters; 3 saw their widest releases at over 3000 theaters.
– Average number of days in theatrical run for all 48 films: 60, with the max being 182 and the minimum being 7.
– The highest grossing (domestic) black film of the year is Lee Daniels’ The Butler at $116 million, making it the only black film to gross over $100 million this year. The top 5 grossers of the year after The Butler: 42, Best Man Holiday, After Earth, Tyler Perry’s Temptation. The most fascinating thing about the top 5 is that After Earth (a high-profile, $130 million movie starring one of the world’s biggest stars) is in 4th place.
– Total box office (domestic) for the top 5 black films combined is less than the box office take for the #1 grossing film of the year: $391.9 million, compared to $409 million for Iron Man 3.
– Total box office (domestic) for all 48 black films is $620 million, or about 6.1% of the total 2013 box office for all films ($10.1 billion). Again, figures are of last week Friday’s results, although I wouldn’t expect those figures to change much at all, even if I included this weekend’s (and the next 2 weekend’s) numbers.
– 12 of the 48 black films were rated PG13; 12 were R-rated; The rest were Unrated.
– 6 of the 48 black films were released by Lionsgate; 4 by The Weinstein Company; IFC, Fox Searchlight and Variance released 3 each; 2 each by AFFRM, Oscilloscope, and Sony; ArtMattan released 2. And Phase 4 Films released 1.
There’s your 2013 in black cinema, albeit just a snapshot!
I may have missed one or two films, using Box Office Mojo and IMDB as my primary sources. But the overwhelming bulk of black films released theatrically this year, are included here. If you’re a distributor with a film that should be on this list, but isn’t, please let me know. May I also suggest that if you are a distributor with a film released theatrically, and your film isn’t listed with any of the major box office reporting sites, like a Box Office Mojo, it really should be.
As I said, expect a more thorough follow-up post, with even more stats – once I’ve compiled all that I need to – some time in the next couple of weeks. And also expect comparisons to previous years – especially recent years.
Here’s the full list of 48 films:
| 42 |
| 12 Years a Slave |
| 20 Feet from Stardom |
| A Band Called Death |
| A Haunted House |
| After Earth |
| American Promise |
| An Oversimplification of Her Beauty |
| Baggage Claim |
| Better Mus’ Come |
| Big Words |
| Black Nativity |
| Blue Caprice |
| Call Me Kuchu |
| Fire in the Blood |
| Free Angela and All Political Prisoners |
| Fruitvale Station |
| Gimme the Loot |
| Go For Sisters |
| God Loves Uganda |
| Holla II |
| I’m In Love With a Church Girl |
| Jamel Shabazz Street Photographer |
| Kevin Hart: Let Me Explain
La Playa D.C. La Pirogue |
| Lee Daniels’ The Butler |
| Let the Fire Burn |
| LUV |
| Mandela: Long Walk to Freedom |
| Mother of George |
| Mumia: Long Distance Revolutionary
Newlyweeds |
| The Best Man Holiday |
| The Call |
| The Inevitable Defeat of Mister and Pete |
| The Iran Job |
| The Square |
| The Trials of Muhammad Ali |
| The We and the I |
| Tyler Perry Presents Peeples |
| Tyler Perry’s A Madea Christmas |
| Tyler Perry’s Temptation: Confessions of a Marriage Counselor |
| Una Noche |
| Venus and Serena |
| War Witch |
| Welcome to Pine Hill |
| Winnie Mandela |
