There are also plenty of young women who I feel truly "get" Nina (like India Arie) and could potentially capture Nina's height of artistry in the 1960s. However, I think it's important to recognize that this biopic chose to portray Nina in the 1990s, the final decade of her life when Nina was in her 60s. In the controversy over the black-face makeup, prosthetics and casting choice, this is scarcely being mentioned in the press, and this is my larger issue with the film. While I believe Clifton Henderson (whose story "Nina" is loosely based upon) had good intentions when he first began caring for Nina, he ended up isolating her from friends and family, over-medicating her, and taking large percentages of her payments. This is not an uncommon ending for many celebrities of a certain era, and perhaps an interesting story if Nina had not had six other decades of phenomenal musical accomplishments, civil rights stands, and been a symbol for so many people of freedom, pride and artistry. To overlook these moments in favor of sensational drama like Nina brandishing a gun and throwing champagne bottles is not only an insult to her very rich and complex life, but is a blatant white-washing of her achievements as a black woman in 20th century America. It exposes the deep ignorance of the cast, director and production team. Having read the script for the film four years ago, I can say that anyone involved in the production was deeply aware of the choices they were making with this production and should be held responsible.
I love narrative films and have seen great films that portray real people. However, I think the only person who should be playing Nina is Nina. Her story is not fit for the condensing and sensationalizing that are part of the formulaic approach to conventional Hollywood biopics. Nina's story and genius lives on in her performance clips, and anyone who truly wants to know the real Nina should see the real person as told by over 50 of her friends, family, band members, lovers and fellow activists in The Amazing Nina Simone. I say this not as the director of the film, but as a fan.